Tag Archives: women

Underbelly and Writing Bodies

Conference of the Postgraduate Contemporary Women's Writing Network, 11-12 Sept 2009, at University of Oxford

Conference of the Postgraduate Contemporary Women's Writing Network, 11-12 Sept 2009, at University of Oxford

A couple of days ago I presented, Underbelly, my most recent work of digital fiction (an almost finished work-in-progress) at the Writing Bodies/Reading Bodies conference in Oxford. Underbelly is about a woman sculptor carving a figure on the site of a former Yorkshire colliery now landscaped into a country park, but it also includes stories of the women miners who used to work underground in the 19th Century. As I said in my introduction, there’s a long association of the female body with the land, e.g. Mother Earth, but it’s perhaps little known that women used to work underground, hauling coal like beasts of burden. This history is largely forgotten, almost erased apart from a few websites (see below), and now the colliery sites themselves have been erased from the landscape too.

National Coal Board Collection: Portrait of a Miner 2 disc set from BFI

National Coal Board Collection: Portrait of a Miner 2 disc set from BFI

So it’s with great interest that, on my return from the Writing Bodies conference, I read in the Guardian that the British Film Institute is launching a ‘major restrospective of its extraordinary archive of mining films.’ In his article, Pitmen at the pictures, playwright Lee Hall makes a similar point about the effacement of our working class history:

As soon as the pits started closing all evidence of their existence was erased. I remember driving around the Durham coalfield trying to find locations for the movie of Billy Elliot, desperate to get a glimpse of an archetypal winding gear, and shocked to find they’d all been knocked down. Similarly the industry seems to have been Photoshopped out of the national imagination as if the working classes didn’t exist any more – as if all that labour history was an embarrassment to the consensus of all the major parties, who now see us as consumers rather than producers.

Thankfully Photoshop is just as good for montage as it is for airbrushing out and I have used it for Underbelly to put women miners back into the picture in an interactive collage of imagery and voices from my imagination and historical sources. I’ll be publishing the piece, created in Flash, on crissxross.net fairly soon.

For more about the history of pitwomen see A Web of English History: The Peel Web or A Modern History Sourcebook: Women Miners in the English Coal Pits or Women in World History Curriculum: The Coal Mines, Industrial Revolution

Fitting the Pattern at BinaryKatwalk:v.02b

open-gallery-network – The Line of Influence

Kate Pullinger's 'Line of Influence' of Binary Katwalk

Kate Pullinger's 'Line of Influence' at Binary Katwalk

Binarykatwalk is an online exhibition space for experimental digital work, curated by locative media/new media artist and writer, Jeremy Hight, and this month sees the launch of the Kate Pullinger section of The Line of Influence, which is:

…a series of a few artists selected to show their work alongside who influenced them and those they see as kindred spirits coming up. This is not an ordinary exhibition, but instead a chance to show how ideas and works progress over time and how no artist is a solitary force out there.

I’m honoured that Kate has chosen to include my own piece, Fitting the Pattern, alongside Flight Paths, the networked novel she co-creates with Chris Joseph, These Waves of Girls by Caitlin Fisher and Renee Turner’s She….

Fitting the Pattern in the Binary Katwalk open-gallery-network

Fitting the Pattern in the Binary Katwalk open-gallery-network

bananarma

This movie requires Flash Player 8

remixed for R3/\/\1X\/\/0RX from: classy joint + Toni Lebusque + recycling bellini

My friend Toni Lebusque is an artist who makes images with pen and pastels as well as digital media and lately she’s been inscribing her wonderful drawings into her flesh. I’ve never been tempted to get a tattoo myself, I’m far too variable, but I can relate to that desire to embody, to embolden the body, to flesh out, to be art in the flesh. It feels somehow connected, although diametrically different, to what draws me in much of my creative work – bringing viscera and flesh into the virtual, see: rawVamp, rawLorem Ipsum, IntraVenus or couplings.

So what do I do? I turn Toni’s tattoos electronic. Well, there’s no ‘arm in it, is there? (sorry;-)

flash source for remixing: bananarma_CS3.fla or bananarma_fla8.fla

Interview about IntraVenus

IntraVenus

IntraVenus

Female Icons: it’s not the gaze but the looks is a fascinating project by De Geuzen: a foundation for multi-visual research, that explores what makes a woman an icon through a rich variety of means, including workshops, streaming lectures, online data collecting and new media works on view such as She… by Renee Turner and my own IntraVenus.

In December 2007 Renee interviewed me about IntraVenus for the Female Icons archive. I reproduce it here:

The Interview

Renee Turner: Can you give me a little background on IntraVenus, meaning what your impetus was to make the work?

Christine Wilks: I created the images some time ago when I was a young art student. At the time I felt somewhat overwhelmed by the predominance of the female nude throughout art history and felt the pressure of this archetypal image (exacerbated by being taught by an almost entirely male staff) was interfering with my ability to visualise myself as a practising artist. I wanted to explore this, to get inside the image and challenge it directly with my own body. I was quite surprised when the images turned out to look so violent, the way my body looked so battered and bruised. It was disturbing, but all the more fitting since my self-image as an artist was bruised. Read More »

Ada Lovelace Day

Get FlashPlayer

Ada and one of many networks of women today

remixed for R3/\/\1X\/\/0RX from: maschinenmensch + la cicciolisa + Wikimedia Commons File:Ada Lovelace 1838.jpg + Wikimedia Commons File:Babbage difference engine drawing.gif

flash source: adalovelacedayCS3.fla (206kb)