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	<title>crissxross &#187; mining</title>
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	<description>remixes + e-lit + new media + digital art + writing by christine wilks</description>
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		<title>Underbelly and Writing Bodies</title>
		<link>http://crissxross.net/wilx/2009/09/13/underbelly-and-writing-bodies/</link>
		<comments>http://crissxross.net/wilx/2009/09/13/underbelly-and-writing-bodies/#comments</comments>
		<pubDate>Sun, 13 Sep 2009 16:17:39 +0000</pubDate>
		<dc:creator>crissxross</dc:creator>
				<category><![CDATA[exhibiting + presenting]]></category>
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		<category><![CDATA[mining]]></category>
		<category><![CDATA[Underbelly]]></category>
		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://crissxross.net/wilx/?p=514</guid>
		<description><![CDATA[A couple of days ago I presented, Underbelly, my most recent work of digital fiction (an almost finished work-in-progress) at the Writing Bodies/Reading Bodies conference in Oxford. Underbelly is about a woman sculptor carving a figure on the site of a former Yorkshire colliery now landscaped into a country park, but it also includes stories [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_515" class="wp-caption alignnone" style="width: 590px"><img class="size-full wp-image-515" title="UBtitlePage_BodiesConf" src="http://crissxross.net/wilx/wp-content/uploads/2009/09/UBtitlePage_BodiesConf.jpg" alt="Conference of the Postgraduate Contemporary Women's Writing Network, 11-12 Sept 2009, at University of Oxford" width="580" height="379" /><p class="wp-caption-text">Conference of the Postgraduate Contemporary Women&#39;s Writing Network, 11-12 Sept 2009, at University of Oxford</p></div>
<p>A couple of days ago I presented, <em>Underbelly</em>, my most recent work of digital fiction (an almost finished work-in-progress) at the <a title="Writing Bodies/Reading Bodies in Contemporary Women's Writing, 2009" href="http://www.pgcwwn.org/PGCWWN_EVENTS.html">Writing Bodies/Reading Bodies</a> conference in Oxford. <em>Underbelly</em> is about a woman sculptor carving a figure on the site of a former Yorkshire colliery now landscaped into a country park, but it also includes stories of the women miners who used to work underground in the 19th Century. As I said in my introduction, there&#8217;s a long association of the female body with the land, e.g. Mother Earth, but it&#8217;s perhaps little known that women used to work underground, hauling coal like beasts of burden. This history is largely forgotten, almost erased apart from a few websites (see below), and now the colliery sites themselves have been erased from the landscape too.</p>
<div id="attachment_519" class="wp-caption alignright" style="width: 195px"><a href="http://filmstore.bfi.org.uk/acatalog/info_13726.html?NOLOGIN=1"><img class="size-full wp-image-519" title="BFI: Portrait of a Miner" src="http://crissxross.net/wilx/wp-content/uploads/2009/09/BFI_Miner.jpg" alt="National Coal Board Collection: Portrait of a Miner 2 disc set from BFI" width="185" height="259" /></a><p class="wp-caption-text">National Coal Board Collection: Portrait of a Miner 2 disc set from BFI</p></div>
<p>So it&#8217;s with great interest that, on my return from the Writing Bodies conference, I read in the Guardian that the British Film Institute is launching a &#8216;major restrospective of its extraordinary archive of mining films.&#8217; In his article, <a title="Guardian article by Lee Hall" href="http://www.guardian.co.uk/film/2009/sep/12/pitmen-mining-industry-film">Pitmen at the pictures</a>, playwright Lee Hall makes a similar point about the effacement of our working class history:</p>
<blockquote><p>As soon as the pits started closing all evidence of their existence was erased. I remember driving around the Durham coalfield trying to find locations for the movie of Billy Elliot, desperate to get a glimpse of an archetypal winding gear, and shocked to find they&#8217;d all been knocked down. Similarly the industry seems to have been Photoshopped out of the national imagination as if the working classes didn&#8217;t exist any more &#8211; as if all that labour history was an embarrassment to the consensus of all the major parties, who now see us as consumers rather than producers.</p></blockquote>
<p>Thankfully Photoshop is just as good for montage as it is for airbrushing out and I have used it for <em>Underbelly</em> to put women miners back into the picture in an interactive collage of imagery and voices from my imagination and historical sources. I&#8217;ll be publishing the piece, created in Flash, on crissxross.net fairly soon.</p>
<p>For more about the history of pit<em>women</em> see <a title="Conditions in the mines - 19th Century" href="A Web of English History: The Peel Web">A Web of English History: The Peel Web</a> or <a title="Women miners in 1842" href="http://www.fordham.edu/halsall/mod/1842womenminers.html">A Modern History Sourcebook: Women Miners in the English Coal Pits</a> or <span><a title="Women in the coal mines, British Industrial Revolution" href="http://www.womeninworldhistory.com/coalMine.html">Women in World History Curriculum: The Coal Mines, Industrial Revolution</a><br />
</span></p>
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