remixed for R3/\/\1X\/\/0RX from: Blood And The Moon + sp[oils] + sculpture by Melanie Wilks

source: StonefaceSea-AS3-CS4.fla (8.1MB)

remixed for R3/\/\1X\/\/0RX from: the devil’s rope journal + janus 2010 + _thing

flash8 source: identitycard-5fl8.fla (2.9 mb)

remixed for R3/\/\1X\/\/0RX from: the devil’s rope journal + janus + _thing

source files: janus2010_CS3.fla or janus2010_fl8.fla (2.9MB)

remixed for R3/\/\1X\/\/0RX from: dr ted orion morrow’s business card + Worx + Fitting the Pattern

flash8 source: sizingUp_fl8.fla (204 KB)

remixed for R3/\/\1X\/\/0RX from: [e]mailart [ first editions ] + cogignition + comment #11349 + GhouLs

source files: emailartstamps-CS3.fla or emailartstamps-fl8.fla (flash 8 version)

remixed for R3/\/\1X\/\/0RX from another planet + cogignition + maschinenmensch

flash source: outpostMsgFl8.fla (3.4MB) – to remix, you may want to install TweenMax (AS2) (more info here)

for: R3/\/\1X\/\/0RX
from: dystemic + R3/\/\1Xqp(+1up) + comment

source: head2headfl8.fla 208 kb

left head start – - – - – - – - right head stop

for remix_runran from: _thing + double trouble

flash source: janus-2fl8.fla (1.5.mb)

note: when you turn sound off it may take a while to stop

to celebrate the first year of the remix

from: _thing + headgap + bacillus anthracis + headmesh
flash source: happychance4-fl8.fla (992kb)

Below: setting up for our live presentation of The Devil’s Rope Journal

I had a great time at Interactive Futures earlier this month. When you spend most of your creative life alone and glued to your computer screen, it’s wonderful to be able to present digital media with your collaborators to a live audience – and so rewarding to hear them laugh in the right places! After collaborating online in the remix for the past year, it was good to spend a couple of intense days, before the conference, working together face-2-face with Randy Adams (runran) and Chris Joseph (babel) for the first time. Considering our improvisational process, it was amazing how everything came together. Presenting live meant that we could incorporate spoken word into our performance too, which was a fascinating experience. I felt we were performers emerging from the virtual world, but not becoming fully present in theatrical reality, preferring to remain creatures of the shadows and to merge our voices with the digital presence.

Here are some more examples of oddly disembodied but very human, real-time, virtual presences at Interactive Futures. It really does feel like you’re interacting in the future when you’re conversing, from North America, with European heads in a digital boxes!

Above left: Julie Andreyev introduces Mirjam Struppek’s keynote: Urban Screens – The Potential of Screens for a Sustainable Urban Society. Above right: Mirjam Struppek presents her keynote remotely, via iChat

Above left: Leena Saarinen talks, via iChat from Finland, about ‘Accidental Lovers’, her interactive musical TV-comedy. Above right: the remote Q and A with Leena Saarinen.

IF07 was a fantastic experience all round. It was fascinating to see a variety of new media and to meet and listen to a range of artists, academics and creative techies. A good end-of-conference party too: The Exploding, Plastic & Inevitable redux! I even got an opportunity, albeit brief, to do a bit of veejaying, when Chris and Randy took a short break from their VJ controls.

For more photos see my IF07 set in Flickr

For more about other presentations at IF07 see my comment

A big thank you to Arts Council England whose support enabled me to travel to Canada and take part in Interactive Futures 2007.