Tag Archives: elit

Underbelly at The Shoebox Experiment

The Shoebox Experiment lightbulb

Wednesday 4 May, 7.30pm

The Riverside, 1 Mowbray Street, Neepsend, Sheffield, S3

Signposts, South Yorkshire, presents the second in a series of performance experiments – three pieces in three different mediums.

The Shoebox Experiment (3 x 3)

Quint and Jow

Quint and Jow

Quint and Jow share a common goal: to prove that there’s more to the average pub quiz than meets the eye. Forming a team called The Venns, they spend improbable amounts of time in the pub… testing their theories, of course.  Through charts, graphs, and (their favourite) Venn diagrams, Quint and Jow will bring you exciting and unexpected findings from their not-entirely-serious research project. The Venns: A Quest for the Perfect Pub Quiz is created and performed by Chella Quint and Richard Jow

Screenshot of Underbelly

Underbelly

Underbelly is an award-winning work of digital fiction about a woman sculptor, carving on the site of a former colliery in Yorkshire. As she carves, she is disturbed by a medley of voices, from when women used to work underground mining coal. Created for the web, Underbelly is a playable story with multiple endings determined by choice and chance. Lurking within the dark regions of its map-like narrative terrain, are hidden voices, animated elements and grotesque imagery, which Christine Wilks will unearth in her live performance of the work.

Tim Ralphs performs The Nose

The Nose!

Gogol’s “The Nose” represents one of the pioneering triumphs of the early absurdist movement; transcending satire, narrative and common sense. Locally  based storyteller Tim Ralphs transports the Shoebox to St Petersburg’s prospects in this hilarious and enticing re-imagining of the tale as a live performance. A drunkard barber, a womanising Major, a buzz of rumours and the inconceivable disappearance of The Nose!  Originally conceived as a series of podcasts, ‘The Nose’ is recomposed for the Shoebox Experiment.

Audience Feedback from the First Shoebox Experiment:

“Was brilliant. So different to anything I’ve seen before!

“Stunning”

“I enjoyed the atmosphere, mellow attentiveness, intimacy, surprise, voices, passion, stories, HEART, writing!”

Tickets: £4 (£3 concessions) are available at the Shoebox on the night and can be reserved in advance by email. Plus a fully stocked bar to whet your whistle and the company of a warm, welcoming audience ready for something new! Contact naomi.wilds@ntlworld.com or 0775 352 8919 to reserve your space. Map and directions.

See you there!

Underbelly published in Hyperrhiz.08

Underbelly

A splendid new edition of Hyperrhiz, the peer-reviewed online journal specializing in new media criticism and net art, is now published. And I’m delighted to announce that Underbelly features in the Gallery. Here are the full contents:

HYPERRHIZ.08

Issue 8
Spring 2011

Essays

Century of change? Media arts then and now
Darren Tofts

The Avant Garde Doesn’t Give Up
McKenzie Wark

The Brautigan Library: Questions and challenges of archiving electronic literature
John F. Barber

This is not that kind of library. This is another kind of library.
Nicholas Schiller

Computational Narration of Inner Thought: Memory, Reverie Machine
Jichen Zhu and D. Fox Harrell

Gallery

Underbelly
Christine Wilks

Speak Far and Wide
Hazel Smith and Roger Dean

Narrative Multiplicities + Pack Media: re-reading the reader into Dracula
Whitney Anne Trettien

Review

Mark Bernstein and Diane Greco, Reading Hypertext
Marvin E. Hobson

Read more at www.hyperrhiz.net

New Electronic Literature Knowledge Base

Electronic Literature as a Model of Creativity and Innovation in Practice (ELMCIP)*

Introducing the ELMCIP Knowledge Base, an electronic literature database documenting works, critical writing, authors, publishers, organizations, events, teaching resources and more…

Currently in public beta, it’s sure to be a fantastic resource for anyone interested in electronic literature in Europe and beyond. Readers, writers and researchers are encouraged to actively participate. I’m also delighted to note that the Knowledge Base includes some of my e-lit works too.

*ELMCIP is a 3-year collaborative research project running from 2010-2013, funded by the Humanities in the European Research Area (HERA) JRP for Creativity and Innovation.

Electronic Literature Collection, Vol. 2

The Electronic Literature Collection, Volume 2, launched on the web last week, is an anthology of works by an international group of authors “that pushes through the boundaries of literary forms, creating new kinds of experiences for interacting readers.”  And, I’m delighted to say, it includes two of my works – Fitting the Pattern and Tailspin.

Published by the Electronic Literature Organisation, and edited by Laura Borràs, Talan Memmott, Rita Raley, and Brian Kim Stefans, Volume 2 picks up where the first volume, ELC1, left off.

The new collection includes 63 works drawn from (and extending beyond):

  • Countries: Austria, Australia, Catalonia, Canada, Colombia, France, Germany, Israel, The Netherlands, Portugal, Peru, Spain, UK, US
  • Languages: Catalan, Dutch, English, French, German, Portuguese, Spanish
  • Formats: Flash, Processing, Java, JavaScript, Inform, HTML, C++

Like ELC1, the collection can be browsed by author, title, or keyword.

ELC2 speaks to both the continuity as well as the bright future of electronic literature. The works include many of the emerging categories of e-lit: mash-ups, geolocative, codework, as well as “traditional” and evolving forms such as hypertext, chatbots, and interactive fiction. The authors list presents readers with both veterans and newcomers to the field.

The collection is also available on DVD for free on request from the ELO.

ELC2 is published under a Creative Commons license, which means the collection can be freely shared, non-commercially, between individuals, libraries, and schools, provided that appropriate attribution is maintained and the works are unmodified.

Underbelly on The Literary Platform

The Literary PlatformMichael Bhaskar, Digital Publishing Manager at Profile Books and one of the judges of the Poole Literary Festival’s New Media Writing Prize, describes my winning entry, Underbelly, as exceptional in his article in The Literary Platform. He goes on to say:

Underbelly is an intense, educational, visceral experience, that delves deep into new media territory and transforms our expectations of what could be called literature. Exploring the experience of women miners in the nineteenth century the look, sound and writing of the piece are all magnificently distinctive and skilfully designed. I learned a lot “reading” and it hung around for days. This is powerful stuff.

He has lots of good things to say about the other shortlisted works too and I would encourage readers to go and explore the whole shortlist.